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Making the most of an ancient grape
Tezze di Piave, TV, Italy – When I first met winemaker Antonio Bonotto, of Tenuta Bonotto Delle Tezze, he looked like anything but a renowned winemaker continuing a family tradition almost 400 years old.
Instead, dressed head-to-toe in a forest-green rubber suit and standing on scaffolding 12 feet high, Bonotto was diligently power-washing 400 years of grime off the walls and ceiling of the ancient, heavy beamed space where grapes once were delivered by horse-drawn wagon and making the room into a new tasting room/reception area.
For the moment, Bonotto was making it rain harder inside than out.
I was with my friend Patrick Caseley of Trevignano and when Bonotto recognized Patrick, the oenologist called out, “Hey, Patrick, welcome,” and crawled down from the high rise.
“You caught me at a bad moment, I’m really working,” he said, shutting off the sprayer and walking to us.
It didn’t seem he was very dry, in spite of the rubber suit, and specks of grime dotted his smiling face
“But I’m quite happy to quit for a moment, this is hard work,” he said. “You probably don’t want any photos of me right now.”
He laughed and brought us a treasure found in the walls during the ongoing renovation.

This bottle of 1966 Raboso del Piave was hidden in a wall by Antonio Bonotto’s father nearly 47 years ago. It was broken when recent construction uncovered it.
“It is, or it was, a bottle of wine my father put in the walls in 1966, when he was doing some remodeling,” Bonotto said.
He showed us a broken bottle, still bearing a hand-written label with the date 22/9/1966.
“One of my workers was inexperienced with a machine and he wasn’t able to stop in time to save the bottle,” said Bonotto, shrugging. “Too bad, it would have been nice to have it whole. My father made this wine.”
Bonotto’s family has lived in the Tezze area since at least the 1400s and for centuries the family rented farmland from the local monastery and paid their rent with wine.
The commercial winery began in the 1800s and today Tenuta Bonotto makes a line of still and sparkling wines, including a delightful Prosecco DOC (he’s just outside the Prosecco DOCG zone) in brut and extra dry and a refreshing Novalis, made of 100 percent Manzoni Bianco, with hints of oranges, apricots and a stony minerality derived from the soils and waters washing down from the nearby Dolomites.
He’s particularly proud of his Raboso del Piave-based wines.
It’s an ancient grape, Bonotto said, with ancient records indicating this indigenous grape, considered the “king of wines” by Venetian aristocracy, having been vinified since the 800s.
“The real distinctive characteristic of this grape is the acidity,” Bonotto said. “Normally, when a grape ripens the sugars go like this (moving his hand in an upward arc) and the acidity goes like this (a downward arc). But with Raboso, the acidity gives you this,” and he drew a straight line.
It’s that straight-on acidity that deters many winemakers who don’t understand how to make wines with Raboso, Bonotto said.

Vittoria Bonotto, wife of winemaker Antonio Bonotto, selects a bottle of Bonotto delle Tezze Raboso del Piave Potestá for a guest.
“It’s not something you can eliminate, so you learn to work with it,” he said. “Or not.”
When vinified as a sweet wine, the acidity balances the sugars, the result being a sweet wine with “nerve,” as Caseley said.
That bottle of his father’s wine from 1966 may still have been drinkable, given Raboso’s acidity, and the current Bonotto rued not being able to see how it might have aged over nearly 50 years.
With his wife Vittoria, we tasted Bonotto’s 2009 Potestá Raboso del Piave DOC (100 percent Raboso Piave) and found hints of violets and roses on the nose with spice, licorice and a pleasing bit of earthiness and minerality.
He also makes a Raboso Passito, its grapes dried naturally for four months before vinification, and a Raboso Rosato Frizzante, bright and indulgent in fresh red berries and cherries.
“This is the blessing of this grape, you can make so many different wines from it,” Bonotto said. “It’s a pity because we have so many other varieties here we don’t focus on Raboso. It’s really a marvelous grape.”
45 years and still in good hands
VERONA – One of my many “Instant Italian” lessons while at VinItaly last week turned up when my cellphone didn’t. Looked in pockets, bags, hats, suitcase and even the bag with my brioche from the panificio. No luck.
Finally thought of looking in the car, which meant repeating a 10-minute walk but no big deal, because that’s where I left the phone.
Gloria Giovara, wife and business partner of good friend Patrick Casely of Trevignano, laughed when I explained my short absence and said, “Now you know how to say, ‘Ho lasciato il mio telefono in la macchina.'”
We were headed around to explore several of the immense pavilions comprising VinItaly, each of them the site of a different Italian wine region. Patrick and Gloria, ever working in the beehive-busy culture of the world’s largest wine fair, were seeing clients and I was tagging along, hoping to absorb some of their encyclopedic knowledge of Italy and the Italian wine world and maybe meet someone interesting.

This handsome sextet from Cantina La Salute in the Piave River Valley are representative of the future of Italian wines.
As if that was any problem.
The trans-generation crossing is something every winemaking region worries about. Who is going to take over when the first (or fourth or more, in many cases here in Italy) generation gets tired and starts looking around for the next generation of winemakers? But in my days at Vinitaly, I was fortunate to meet several young winemakers eager to take over, or at least eager to accept the reins when handed to them.
Among the notable are the attractive six young people in the accompanying photo who comprise the future of Cantina La Salute, which is a cooperative formed in 1969 when 11 farmers in the Piave River valley near Treviso, feeling threatened by encroaching “big business,” came together to ensure the continuation of their lifestyle.
If I understood correctly, today the cooperative acts like a consortium, maintaining the quality of the wines while making a line of wines from the grapes produced by the various members of the cooperative. The winemaker for the cooperative is Antonio Cocca (second from left) and the president of La Salute is Nicola Fantuzzi (third from right). The others in the photo include (from left) Allessandro Milan, Cocca, Elena Rossi, Fantuzzi, Enrico Prisson and Serena Lessi.
The sextet in the photo are among the current generation of winemakers and viticulturists, although many of the original winemakers still are actively involved in the day-to-day operations of their individual aziendas and vineyards. The cooperative today produces a variety of wines, including a delightful Raboso and a millesimato spumante designated “21,” a number relating to Feb. 21, 1969, the founding of the coop, and Nov. 21, the day of the Feast of Our Lady of Health and the day the cuvée selections are made. The wines have been awarded many medals and honors, including several Gran Menziones at this year’s Vinitaly.